what airbrush should i buy?   

You will need to consider the major factors in your requirements for an airbrush:
  • What type of paint or fluid do you wish to spray?
  • What detail or areas require spraying?
  • What degree of instant control would you like?
  • What may be your future needs?
  • What is your price range or budget?
Our list of technical terms may help you to decide which airbrush to choose for your particular application. If you are unable to decide, ask someone with the appropriate knowledge or contact us. When choosing your airbrush, you will want it to meet your current requirements and probably go beyond those as you progress and you'll want something that is going to last for a long time.

Click the links bellow:

Internal Mix
External Mix
Single Action
Double or Dual Action
Gravity feed
Siphon or Side feed
Suction or Bottom feed
Internal versus External Mix
Single versus Double Action
Bottom versus Gravity Feed



Internal Mix
Internal mix simply means that the paint flow and the air flow mix "inside" of the airbrush, hence internal mix. With an internal mix airbrush the paint and air mix inside the airbrush (in the tip) creating a finer atomized "mist" of paint. With external mix the air leaves the airbrush before it comes into contact with the paint which creates a coarser stippled effect.

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External Mix
External mix airbrushes are cheaper and more suited for covering larger areas with more viscous paints or varnishes. The paint and air are mixed outside the airbrush as the air passes over the fluid tip. An external mix airbrush will produce a less atomised spray with a larger dot pattern, and is less capable of fine line work.

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Single Action
The simplest airbrushes work with a single action mechanism where the depression of a single "trigger" results in paint and air flowing into the airbrush body and the atomized paint being expelled onto the target surface. Cheaper airbrushes and spray guns tend to be of this type.Single action airbrush technique derives its name from the fact that only one action is required for operation. The single action of depressing the trigger releases a fixed ratio of paint to air. Achieving different line widths requires either changing the tip and nozzle combination or else adjusting the spray volume manually between spray width changes. The most important aspect of proper single action airbrush technique is to keep the hand moving before the trigger is depressed and after the trigger is released. This avoids the "bar bell" line.

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Double or Dual Action
Dual action or double action airbrushes separate the function for air and paint flow so that the user can control the volume of airflow and the concentration of paintflow through two independent mechanisms. This allows for greater control and a wider variety of artistic effects. This type of airbrush is more complicated in design than single action airbrushes which tends to be reflected in its cost. Double action airbrush technique involves depressing the trigger on the top of the airbrush with the index finger to release air only, and drawing it back gradually to the paint release threshold. The most important procedural dynamic is to always begin with air only and end with air only. By observing this rule, precise control of paint volume and line width and character can be achieved. The single most important airbrush stroke consistently utilized by professionals is the dagger stroke. This describes a stroke which begins wide and ends as a narrow line, created by starting with the brush far from the support and moving it evenly closer as the line is drawn.

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Gravity feed
Paint can be fed by gravity from a paint reservoir sitting atop the airbrush (called gravity feed) or siphoned from a reservoir mounted below (bottom feed) or on the side (side feed). Each feed type carries unique advantages. Gravity feed instruments require less air pressure for suction as the gravity pulls the paint into the mixing chamber. Typically instruments with the finest mist atomization and detail requirements use this method.

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Siphon or Side feed
Airbrushes which can have either cups or bottles plugged into the side which can rotate allowing the user to work at most angles. Allows fine detail work without the eye been obstructed by a cup on the top. Useful where many colour changes are required as colour can be kept in a bank of cups or bottles, or where a differing amount of quantities are used, from a few drops to large areas, by using different size containers. Click here to view all of our side feed airbrushes.

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Suction or Bottom feed
In bottom feed airbrushes, the cup holding the paint is below the nozzle. The paint is sucked upwards by air pressure. Airbrushes which have either cups or bottles that plug into the bottom of the airbrush. Particularly useful where large quantities of paint are required, as large bottles can normally be plugged into this type of airbrush, or again where quick colour changes are required. Click here to view all of our suction feed airbrushes.

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Internal versus External Mix
As the name implies, in external mix airbrushes, the air and paint are mixed outside the main body of the airbrush. An example would be the classic Paasche Model H . This uses a very simple design concept, and is easy to use and to clean. The internal mix airbrushes (combined with double action, see below) take more effort to master but offer more control over the paint process.

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Single versus Double Action
In the single action airbrush, pressing on the trigger controls only the airflow. The amount of paint released is adjusted by turning the nozzle before the trigger is pressed. In the double action, the trigger can be moved down as well as back. The latter motion varies the amount of paint released, during the spray. This can be harder to learn to control, but allows the user enormous flexibility in the range of effects that can be achieved. Most professionals and advanced amateurs will use a double action airbrush.

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Bottom versus Gravity Feed
In bottom feed airbrushes, the cup holding the paint is below the nozzle. The paint is sucked upwards by air pressure. In the gravity feed models, the cup is above the nozzle, so that gravity assists the paint in flowing out of the tip. The advantage to gravity feed is that lower pressures can be used for a given paint volume, which is great for fine line work. The disadvantage is that gravity feed models generally have the cup and brush body as one unit, not a plug-in as with the bottom feed; some people find the one unit slower to change colors and clean. There are also variations such as side feed and movable feed.

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